miss-jaxon-flaxon-waxon:

onwardwall:

thegingerbalrog:

my-fandom-life:

dismantlerepaired:

whereismystrawberrytart:

hikingnerd:

timelordpillbug:

follovved:

amerlcanapparel:

when she says she doesn’t send nudes

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when guys objectify women and expect them to send nudesimage

when someone asks you about your nuclear plans for russia

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When Russia sends you nudes

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darksilenceinsuburbia:

Tamsin van Essen

Erosion Series

This work explores erosion and the disruption of form. Focusing on biological erosion, I wanted to convey the idea of a host being attacked and eaten away by a parasitic virus, highlighting the creeping spread of the infection as it corrupts the body. I have produced a series of angular porcelain forms, sandblasted to wear the surface and reveal inner strata. This aggressive process, contrarily, creates a delicate vulnerability in the shape. The translucency of the porcelain and the interruption of the surface make it possible to glimpse through to layers beneath, creating a tension between the seen and the obscured.

koalatea:

true life: people like my hair more than they like me

oldbookillustrations:

In moonbeam half, and half in gloom,
Stood a tall form with nodding plume

A. Fredericks, from Marmion, by Walter Scott, illustrated under the direction of A. V. S. Anthony, Boston, 1885.

(Source: archive.org)

I may be the meanest, grumpiest Hufflepuff, but I am a Hufflepuff goddammit

lacigreen:

daisiesforprudence:

rubyreed:

A few of my favorite activities.

i like how they put capitalism in fun letters

i rly need this framed on my wall

Those patient Hufflepuffs are true and unafraid of toil.

design-is-fine:

Erik Nitsche, design for book binding of the series New illustrated library of science and invention, 1963. Source

(Source: Flickr / nevolution)

I give a fuck about an oxford comma.

sonjabarbaric:

Michelle Hamerhand-stitched pixelated versions of photographs of urban spaces